Category Multimedia

Photos, videos, sound

Assignment: Nutcracker campaign collateral

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For our sixth and final assignment in my GRC 41 class, the instructor asked us to create an advertising campaign of print collateral for the annual performance of the Nutcracker. We were encouraged to use any software options we felt best fit the four-piece project. Fonts and images had to reflect the style and content of the performance. We were encouraged to research as many aspects of the play as possible to better understand the history.

Since I had never seen The Nutcracker, I decided to spend the first week doing research. I started by flipping through thousands of Google images to see how different troupes varied in their visual approaches. I also went to YouTube and watched more than a dozen performance excerpts and movie trailers. I then started my reading with the Wikipedia entry on The Nutcracker to get the nuts and bolts of the storyline, and I clicked through to source links and sidebars whenever any tidbits struck me as interesting.

I decided to focus the visual part of my campaign on the simple, iconic image of a nutcracker doll. I found an easily traceable nutcracker online, popped it into Adobe Illustrator CS4 as a layer, and then traced over top of it and colored it in using my newly acquired pen tool skills from the previous assignment. I chose all basic colors, so that they’d not only stand out but also tap into the childlike vibrance of the story. I spent the second week working on the drawing.

In the third week, I popped my freshly drawn nutcracker into Adobe InDesign CS4, where I designed the poster first, then the ad, then the postcard, then the ticket. I stuck with simple font combinations from the Futura family, trying to tap into the fun aspects of the play but also trying to maintain some of its venerable, sturdy history.

Also in the third week, for a last bit of inspiration as I was putting the finishing touches on my collateral, I checked out the 1993 movie version of The Nutcracker from the Fresno County library. Directed by famed Russian choreographer George Balanchine and featuring the New York City Ballet, it stars a young Macaulay Culkin in the lead role and was narrated by Kevin Kline. Watching a ballet about a heroic prince and a rat king wasn’t exactly how I would normally spend a weeknight at home, but I still liked the experience.

Plus, it was funny watching the Home Alone kid do ballet alongside the pros.

Radio story: Cassette tape resurgence

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A man and his Telex Copyette: Fresno musician Daniel Schultz of coattrack records.

My second freelance radio story for The California Report aired on Friday, Nov. 25. I reported on the unlikely resurgence of cassette tapes in the indie music scene, and I focused on the Fresno-based coattrack records collective as one example of do-it-yourself musicians coming together to share their work with their fans in a simple, cost-effective way via tapes.

I conducted the primary interview for the story with Daniel Schultz, the drummer for the Fresno band Achievement House and the founder and sole operator of coattrack. I first talked with Daniel way back in November 2010 as part of a FUSE Fest 2010 sampler on my old Evening Eclectic music show on 90.7 KFSR. We had a conversation off-mic that night about alternative forms of music distribution in the Internet era, and that’s when he first told me about his idea of starting coattrack to help local musicians release music digitally and on cassette tape. Later, Daniel explained that participating artists wouldn’t be “on the label,” like the industry has been operating for decades. Rather, artists would have releases through the label. “It’s like this: The band is an entity and coattrack is another,” he said, “and occasionally we work together and make a cassette.”

It was great fun to interview Daniel at the home he shares with his girlfriend, Melissa Olson. (The two collaborate as TeamTeam Creative Effort for multimedia projects, including the FUSE Fest 2011 visual campaign.) Daniel introduced me to his beloved Telex Copyette tape dubbing machine, a contraption he got for free from a friend’s grandfather, a pastor who used it to duplicate recordings of his sermons. The three of us had fun recording all the funky sounds the Copyette made throughout the dubbing process. We also recorded a bunch of sounds that didn’t make it into the final story: tape hiss, unspooling a cassette’s clingy magnetic tape, rewinding the unspooled tape back into the cassette with a pencil, the opening and closing of cassette tape boxes, etc.

Luke Giffen and his reel-to-reel tape machine.

I also interviewed Fresno musician Luke Giffen for the story. His former band, The Sleepover Disaster, released its last album on CD via the now-defunct indie label Devil In The Woods. His current band, The Quiet Americans, released its debut EP, “Medicine,” on cassette via coattrack. I reviewed the EP back in May for Fresno Famous, and I had played tracks from it on my old Evening Eclectic show. But I listened on repeat to “Medicine” on cassette tape in my car during the final week I spent working on this story, and I have to say that I absolutely fell in love with it. The warble and the wobble really intensified as I studied the record on tape, as opposed to the digital versions of the songs I had first gotten to know. Listening to “Medicine” on tape, quite simply, made it better. And that surprised me.

My little home recording experiment.

The experience of hearing and appreciating “Medicine” in a new way in my car gave me an idea. For the story, instead of using high-quality .WAV files for the music in the piece by The Quiet Americans, Achievement House, and the Fay Wrays, I went old-school instead. I first dusted off my old JVC boombox, which was buried under a pile of fabric in my wife’s craft room. I readied the cassette tape versions of the three albums I was using and carefully fast-forwarded to cue up the songs I wanted. I hooked up my Marantz 660 digital recorder and ElectroVoice RE-50/B omni microphone to capture the sound. And then I played the music out of the boombox, muddy distortion and all, right into the Marantz. The results, as you’ll hear, sounded great.

Here’s the link to the final radio story. As a bonus, here’s a link to Giffen’s beautifully affecting homemade video for The Quiet Americans song “Be Alone.”

Big-Kid Playtime Party in the Park

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On Oct. 27, my good friend Teresa Flores and I co-hosted Big-Kid Playtime Party in the Park, a flash mob event at Cary Park in east-central Fresno. We encouraged participants to re-enact the childhood playtime of their youth in an experiment to see what would happen when we gave “adults” a chance to escape their “adult lives” by making time to be a kid. Activities included tossing around a frisbee and a nerf football, scaling playground equipment, competing in freeze-tag and ultimate frisbee, and running around a lot in general. Counting me and Teresa, eleven people dressed in big-kid clothes came out to play for an hour on a sunny Thursday afternoon for some loosely choreographed playtime.

The playtime flash mob was originally an idea for my Photo 17 black-and-white film class at Fresno City College, in response to an action photography assignment. But I quickly realized that the action during the Big-Kid Playtime Party in the Park was actually way too fast for me to document while also taking accurate exposure notes, framing shots for good lighting, and semi-directing all at the same time. So I ditched the film idea, grabbed my digital camera instead, and made photographs (mostly on shutter-priority settings) for the blog. Teresa, who is one of my favorite mixed-media artists, also shot video of the playtime party for a future post on her blog. She’ll finish her video soon.

While editing my photos for the slideshow, I noticed something: Participants had such huge smiles on their faces during playtime! The best thing I discovered was that people just need a little nudge to remind them how much fun it is to get outside and play. It was a terrific, endearing surprise, and I heard from more than one participant that another Big-Kid Playtime Party in the Park needed to happen in the future.

Late in the designated playtime, a chaotic and amoeba-like contest of ultimate frisbee lingered as the sun went down. I had finished shooting my two rolls of black-and-white film and I had taken more than 150 digital shots. Teresa had finished shooting video footage. She and I stood to the side and watched everyone continue to scramble around in the grass long after we, as directors, had stepped aside. The big kids forgot why they were there, lost in laughter, enjoying their game.

Assignment: children’s coloring book cover

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Two penguins are better than one, even if one's drawn a bit wonky.

Hey, man. Let me ask you something. If somebody draws something and then you draw the exact same thing right on top of it, without going outside the original designated art. What do you call that? … I don’t know, man. TRACING?

For our fifth assignment in my GRC 41 class, the instructor asked us to create a book cover for a children’s coloring book. But there was one catch: We had to use the pen tool in Adobe Illustrator CS4, one of the hardest tools in the Adobe Creative Suite. From there, we could choose one of three provided coloring book covers to try and replicate. I picked the “Gigancolor” cover of a penguin in his winter garb, surrounded by snowflakes. I loved that little penguin at first sight!

The instructor showed us how to insert the model book cover into the Illustrator document as a layer, and then hide it behind the main working layer. That way, we could basically trace each piece of the existing cover with the pen tool, one tiny curve at a time. The pen tool is a maddening little gadget, especially for someone like me who doesn’t have much experience with Illustrator. But I picked up the basics quickly enough to knock out my new penguin friend as best I could. The replica is not perfect, of course, but I’m proud of the final result–especially considering it was my first ever time using the pen tool. Pictured above, my version is on the left and the original is on the right.

And I’m totally fine that I traced it. No need to put a pen in anyone’s thorax or anything.

Radio story: Hmong American writers

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Fresno poet Soul Vang is believed to be the first Hmong American to earn an MFA in poetry.

My first freelance radio story for The California Report aired on Friday, Oct. 21. I reported on the Fresno-based Hmong American Writers’ Circle and their groundbreaking new collection of literature, How Do I Begin? It was a great feeling to hear myself on the radio telling a good story, and the subject matter had a lot to do with my feeling of success.

I was lucky to have long interview conversations with two HAWC members whose writing I’ve long admired: Soul Choj Vang and Burlee Vang. We talked about the book, we talked about writing, and we talked about the immigrant experience in America, which is captured so vividly throughout the book. I invited both Soul and Burlee to come into The California Report’s bureau office not only for their main interviews, but also to perform some of their work. Excerpts from Soul’s poem “Here I Am,” which inspired the anthology’s title, and Burlee’s poem “Eating Without the Poet” made it into the finished story, and I was so glad that listeners got to hear snippets of these two remarkable writers’ work in their own voices.

Burlee Vang, who teaches at Fresno City College, founded the Hmong American Writers' Circle in 2004.

In the process of reporting, I was most humbled by my time spent in Soul’s home and in Burlee’s classroom. On one day, Soul invited me into his home to observe him with his family. He has two sons with special needs who demanded a lot of his attention. He also has the hustle and bustle of a house with three generations of family under one roof, each member filling his or her duties in a graceful but clockwork fashion. On another day, Burlee invited me into his classroom at Fresno City College to observe him with his English 1A students. He has a talkative bunch of beginning writers who demanded a lot of his attention as well. He also has the chaos of a first-year composition course to orchestrate, each student workshopping his or her paper in a sprawling but organized fashion. Unfortunately, none of the sound I gathered at either location ended up making it into the final story. But my time spent with Soul and Burlee in their respective worlds was truly a gift, and it reminded me that reporters are wise to never take that kind of trust for granted.

Here’s the link to the final radio story. Please listen to the audio version first, before you read the extended text version that I wrote for the website. Then, at the bottom of the text version, listen to the full poems by Soul and Burlee.